There’s a lot of searching in Talaash; Aamir’s quest to solve a murder, Rani gropes for closure, Nawazuddin tries to find a way out of his hellish life.
When a famous actor dies in a mysterious accident, police officer Surjan Singh Shekhawat aka Suri (Aamir Khan) mixes up his personal and professional worlds. His search for answers takes him to seedy whorehouses and a milieu of pigheadedly uncooperative to dangerously seductive characters.
He has a street-smart junior, Devrath (Raj Kumar Yadav) who helps him in the investigation, a deliciously inviting hooker, Rosy (Kareena Kapoor), who drops mysterious hints about the case and talks in riddles, and a tricky Temur (Nawazuddin Siddiqui) who’s playing his own games. While he tries to connect the dots of the murder, blackmail and the lies, he and wife Roshni (Rani Mukerji) are barely able to come to terms with the death of their son. Old hands in the police department try and persuade Suri to drop the case, claiming it to be one of the unexplained “A Final” ones.
Blaming himself for his son’s death, Suri spends his nights wide awake, driving through desolate streets and seeking answers, leaving Roshni alone to grapple with her pain. So when a neighbour (Shernaz Patel) claims to talk to her dead son’s spirit, Roshni does not need much convincing to seek her help.
Was the actor’s death an accident or murder? Is there something that connects Suri’s son’s death and the actor? Does Temur help the investigation, botch it or start his own games altogether? And what role does Rosy really play in all of this?
The answers aren’t all purely deductive, but veer to the supernatural as well.